ASANNAT, Poster for a Groupshow, curated by Max Kesteloot, June 2016, 420 x 594 mm, Inkjet printed.
Belgian fishing boat Z.582 Asannat entering the port of Ostend (Belgium).
Looking For Serendipity. Poster, KASK & Conservatorium Gent, January 2020. Poster: 594 x 841 mm, inkjet printed.
Poster and scenography for Ceci n’est pas une copie, Design between innovation and imitation at CID Grand Hornu.
Scenography by GAFPA. Curated by Chris Meplon.
A series of solidly masonry barrel vaults characterize the old stables of the Grand Hornu. The starting point for the scenography is the temporary wooden mould that was originally necessary for the creation of this space. Several of these semi-circular wooden constructions are set up in a horizontal position throughout the space and introduce a new route. The mould is again a temporary construction and functions as a fit for the exhibition.
“Le moule de la moule est la moule.” — Marcel Broodthaers, 1966.
